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Open house offers a glimpse into what Naperville’s private arts school could be

Open house offers a glimpse into what Naperville’s private arts school could be

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By Tess Kenny / Naperville Sun

Ahead of an anticipated fall 2025 launch, Naperville’s Illinois Conservatory for the Arts has offered a glimpse into what its programming and amenities could entail in a year’s time.

Last week, the private performing and visual arts school previewed its vision for community members, potential students and possible donors at an intimate — and interactive  — open house event.

An evening of singing, dancing and live performances, the open house served as an introduction to the long-anticipated school, which has been in the works for more than three years but is inching closer to becoming a reality, conservatory officials say.

“It’s about bringing people into our dream space,” Dylan Ladd, co-founder and executive director of Illinois Conservatory for the Arts, said at the event. “(We’re) showcasing what we really hope to build out when we … open the school.”

First broached in 2021, the conservatory was born out of a desire to make it more accessible for young artists to pursue an advanced arts education in Illinois outside of Chicago, according to Ladd. When complete, the idea is that it will offer both high-level arts training and a rigorous academic program to students all in one place.

Over the past few years, those behind the venture — a team of more than a dozen artists and educators — have been in the throes of planning and fundraising to bring the idea to fruition.

Singers show off their vocal chops during a karaoke session held as part of an open house for Naperville's Illinois Conservatory for the Arts on Thursday, Nov. 14, 2024. (Tess Kenny/Naperville Sun)
Singers show off their vocal chops during a karaoke session held as part of an open house for Naperville’s Illinois Conservatory for the Arts on Thursday, Nov. 14, 2024. (Tess Kenny/Naperville Sun)

To date, the school’s still a work in progress. It needs to secure more funding before it can set an official opening date. But while it figures out financing, the founders have their sights set on what exactly they want it to look like and where they want to operate once fully fledged.

The reception took place where the conservatory tentatively intends to open: a 20,000-square-foot facility just off Route 59 at 1323 Bond St. Though not officially leased, the Bond Street location is ICA’s hopeful home should the organization accrue adequate funds to make it happen, Ladd says.

“Where we are as an organization is that if we can raise enough money so it makes sense to move forward with a lease, this is where we want to be,” he said. “This is where we want to call home. I think we’re past the shopping phase now.”

To that end, attendees were brought into a blueprint version of the school.

Throughout the building, which used to house a call center, an outline of where various classrooms and amenities would go was laid out on the ground in blue painter’s tape. Renderings of the school were also scattered around the space, including designs for a dance studio, music rooms, a media lab and a black box theater.

To really drum up imagination, ICA’s open house supplied attendees the opportunity to try their hand at what students would be doing when doors open. There were three “classrooms” — essentially interactive stations — where open house goers could try painting a canvas, displaying their vocal chops in karaoke or learning a line dance.

In making the night interactive, they wanted to “really bring people down to the roots of being an artist” and reconnect them with “the joy of just singing (and dancing) and not caring what’s happening around you,” Ladd said.

Even before they passed through classrooms, attendees Joshua Sanchez and his mom Christina were all smiles as they took in the space.

From the Naperville area, the Sanchezes have been aware of — and involved in — ICA since its inception, they said. They are one of many families who have taken part in alternative community programming the school started offering a few years ago as it waited to find a permanent home for its operations. Supplemental programming has ranged from week-long intensive camps to after-school classes using rented space around Naperville.

Joshua Sanchez, 15, took his first intensive program three years ago. It was a “life-changing moment,” he said. Aspiring to be an actor when he’s older, Joshua reveled in the opportunity and has returned to subsequent programs.

He and his mom attended last week’s open house to show their backing and gratitude for ICA’s mission, they said.

“We’re here to support everyone because they’ve done so much for us,” Christina Sanchez said. “This is where (Joshua’s) heart is at … and I pray and hope this goes well and the school gets finished and filled.”

Other young artists were also in attendance last week. As an added peek into its work, organizers arranged for several students from its after-school and intensive programs to give a handful of live performances. The students sang snippets from musicals, performed monologues and even played improv acting games with attendees.

People take part in a dance class at an open house for Naperville's Illinois Conservatory for the Arts on Thursday, Nov. 14, 2025. (Tess Kenny/Naperville Sun)
People take part in a dance class at an open house for Naperville’s Illinois Conservatory for the Arts on Thursday, Nov. 14, 2025. (Tess Kenny/Naperville Sun)

They were glad to help with the event, they said, knowing it was one step closer to seeing school aspirations come to life.

“We’ve all just thought of it as a dream, right? But now seeing the space and everyone come together, it really shows that they’ve done it,” performer Addie Troupis said.

Troupis, 12, has attended two intensive camps. Her forte is acting and singing, she said. Though she describes herself as relatively new to ICA, she’s excited to keep doing more, she said, especially since she and other conservatory students have started to build a rapport after seeing each other time and time again.

“We’re built a family here, and it’s really cool to be able to go somewhere and be with that family again,” 15-year-old Alexandria Danley said.

Conservatory founders are aiming to decide by next February or March whether the Bond Street facility “really is home,” Ladd said. That decision will come down to fundraising.

“Fingers crossed that between now and February, we can raise some good money and make it happen,” he said.

Should plans go through, ICA would be positioned to open with an inaugural class of students next fall.

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Naperville Sun

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Justice Moore / Dance

JUSTICE MOORE is a New York based performer and choreographer. Growing up in Dallas, Texas, she trained in all styles at Next Step Dance Performing Arts Center. Upon graduating from Allen High School, she had the amazing opportunity to open Hamilton in Chicago as ‘The Bullet.’ She then went on to open the second national tour of the show and join the Broadway production. Moore had the honor to work on projects by Keone and Mari Madrid such as Once Upon a One More Time on Broadway and The Karate Kid: The Musical in St. Louis. She worked on seasons four and five of “The Marvelous Mrs. Maisel” with choreographer Marguerite Derricks. She made her movie debut in Disney+’ Better Nate Than Ever, directed by Tim Federle and choreographed by Zach Woodlee, and her television choreographic debut in CBS’ “East New York.” She was the associate choreographer for London’s Fangirls (under Ebony Williams) and New York City Center’s production of Jelly’s Last Jam (under Edgar Godineaux). Never limiting herself to one side of the dance industry, she continues to keep expanding her community, training, and possibilities. She performed with Doja Cat for MTV’s VMAs, Tyla for “The Late Show with Stephen Colbert,” and Stray Kids for the 2024 Youtube Brandcast. She is currently in Broadway’s Sunset Boulevard starring Nicole Scherzinger. Moore has captivated audiences online and off through her story telling, choreography, and comedy. She hopes to continue exploring the many ways dance and storytelling can connect with humans of all avenues. Instagram: @justicemoore_.

Samantha Pauly / Voice

Samantha Pauly is a Grammy nominated and Drama Desk Award winning actress best known for originating the role of Katherine Howard in SIX the Musical on Broadway. She was most recently seen starring as Jordan Baker in the premiere of The Great Gatsby at Papermill Playhouse. In the summer of 2019, Samantha was hand picked by Andrew Lloyd Webber and Jamie Lloyd to play Eva Peron in Regent’s Park Open Air Theatre’s critically acclaimed revival of Evita on the West End. The production went on to receive nominations and wins at The Evening Standard Theatre Awards, the WhatsOnStage Awards, and the Oliviers. After returning to the U.S., Samantha went on to tour with SIX the Musical and made stops at The Citadel Theatre, The Ordway Center for the Performing Arts before landing on Broadway in the early spring of 2020. She has starred in many regional productions including Mimi inRENT, Betsy in Honeymoon in Vegas, Eva Peron in Evita, Jovie in Elf the Musical, and Amber von Tussle in Hairspray, to name a few. In 2018, Samantha joined the first national tour of Jim Steinman’s Bat Out Of Hell as Valkyrie, before an abrupt cancellation. Soon after, she was cast as Katherine Howard in the US premiere of SIX the Musical at Chicago Shakespeare Theatre for which she received a Joseph Jefferson Award. She also tours and performs her solo cabaret An Evening with Samantha Pauly, and has performed in NYC, LA, Chicago, and more. Samantha’s TV credits include: Chicago PD (NBC), and ads for Mike’s Hard Lemonade, Purina, and T-Mobile. Since her journey with SIX began, Samantha has also been seen and reviewed in The New York Times, Vogue Magazine, The New York Post, The Associated Press, andthe Washington Post.

Kara Lindsay / Acting

KARA LINDSAY Broadway: Wicked (Glinda), Beautiful (Cynthia Weil), Newsies (Katherine Plumber) Original Cast/ Fathom Events Film, Once Upon a Mattress (Winnifred Standby for Sutton Foster). National Tour: Wicked (Glinda), Little House on the Prairie (originated role of Laura). Paper Mill Playhouse: Newsies, Jolly Holiday, Little House…Prairie. Sacramento Music Circus: Singin in the Rain (Kathy Selden). NCT: Mary Poppins (Mary Poppins). Kansas City Starlight: Cinderella (Cinderella). Kansas City Rep: Cabaret (Sally Bowles). 5th Avenue: Lone Star Love (Miss Ann Page). Geva: A Christmas Carol(Belle). Film: Wicked Movie Part One ensemble vocals. TV: “Murphy Brown”, ABC’s “Schoolhouse Rock! 50th Anniversary Singalong”, ABC’s “The Disney Family Singalong: Volume II”, Tony Awards, Macy’s Thanksgiving Day Parade. BFA Carnegie Mellon University. Huge thanks and LOVE to my family and to Stewart Talent/ Amplified. @karalindsay1

Maggie Spanuello / Casting

MAGGIE SPANUELLO (she/her/hers) works at Gray Talent Group as an Associate Agent on the Chicago On-Camera and Voiceover team after working as a director and music theatre educator for ten years in Chicago, Off-Broadway, regionally, and internationally. Selected credits include work at Chicago Shakespeare Theatre, Windy City Playhouse, Milwaukee Repertory Theatre, Brightside Theatre, and Hope Summer Repertory. She was the Associate Director on the award-winning Off-Broadway Production of THE WOMAN IN BLACK (“Best Play Revival”-Off-Broadway Alliance Awards, “Critic’s Pick”-NY Times) and the US Tour (Royal George Theatre, Cleveland Play House, Pasadena Playhouse, Seattle Rep, American Conservatory Theatre) directed by Robin Herford.

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